Mackworth Island Transformed — Rocks Reimagined
January 14–April 15
The Art Gallery at the Ketchum Library on the Biddeford Campus of the University of New England is pleased to present Mackworth Island Transformed — Rocks Reimagined. The exhibition features the photography of Tim Greenway, a local professional and commercial photographer, who also serves as an adjunct professor at the University of New England where he teaches digital photography within the Department of Creative and Fine Arts.
Mackworth Island Transformed — Rocks Reimagined explores the transformation of space within the context of both the physical and the psychological. Using the popular location of the rock formations near the pier on Mackworth Island in Falmouth as subject matter, Greenway’s photographs visualize imaginative landscapes by detailing the geology of this iconic Maine island. By focusing on the micro-ecology, and by transforming the familiar coastline into an abstraction of color, texture, pattern, and form, Greenway’s photographs reimagine a recognizable setting. The photographs thus transform the overarching space into detailed and abstracted images that reflect personal exploration as an escape from literal reality.
My Creativity Heals Myself and Others: Martha A. Hall's Artists' Books
August 27–December 14, 2018
Martha Hall's artists' books explore the experience of living with cancer and the frustrations and vulnerabilities inherent in living with chronic, life-threatening illness. Hall hoped to use her books to create dialogue with health care providers and students in health professions training. Hall's books draw the reader in to share the deepest fears and greatest discoveries that come with facing one’s mortality. Her books are intimate and vulnerable, joyful and angry, bold and purposeful. Martha Hall’s books hold the power and vibrancy of her voice and, even after her death, remain with us as her legacy.
Martha A. Hall was an artist who made her home in Orr's Island, Maine. She was first diagnosed with breast cancer in 1996 and found strong partners in her doctors. Martha Hall died in December 2003. UNE's Maine Women Writers Collection holds many of Martha Hall's artists' books and a significant collection of her personal papers.
In conjunction with this exhibition, UNE's Maine Women Writers Collection will be hosting a one-day symposium on September 13, 2018 in Biddeford entitled, "Tell Me What Hurts: Storytelling and the Healing Arts," for which Martha Hall's work is the touchstone.
January 31–July 24, 2018
Featuring Recent Artwork by Stephen Burt, M.F.A., Chair, UNE Department of Arts
The Art Gallery at the UNE Biddeford Campus Ketchum Library presented the collaborative artistic project “Elemental Changes,” a visualization of the climatic changes possible in the era of the Anthropocene.
Artists, like scientists, engage in research and scholarship. Their lab is the studio. Working with base materials they work at creating visions through close observation molded towards a specific expression, ineffable conglomerations of materials/pigments/papers gathered together for visual effect. The research behind visual literacy is largely taken for granted by many even though it is intrinsically interlinked with good communication and the presentation of information, particularly in the sciences. The arts are an essential and irreplaceable part of conveying knowledge whether it is quantitative data in the form of a graph or picturing the forces and movements present in adverse weather conditions.
The drawings here are my visualization of catastrophic alterations to our environment occurring and forecast due to climate change. These changes that would normally occur over many years have been compressed into single connected images using the Greek elements Earth, Air, Fire, and Water as an organizing principle. The simplicity of these categories allowed me the liberty to explore climate change visually without having to illustrate the vast complexities of the physical science involved. Lines and color represent both the seemingly solid edges of forms and also illustrate lines of force and motion that cannot usually be seen.
Special thanks are due to the Departments of Marine Science, Biology, and Environmental Studies and the Dean’s Office of the College of Arts and Sciences at UNE, all have contributed funds to sponsor this exhibit. This exhibition would not have been possible without the enthusiastic collaboration and input of Charles Tilburg Ph.D., professor of Marine Sciences and associate lecturer Bethany Woodworth Ph.D., Coordinator of the Interdisciplinary Minor in Climate Change Studies in the Department of Environmental Studies and Cally Gurley M.L.I.S., Special Collections Librarian and Kris Olson (Environmental Studies ’19), who created a large-scale Tree of Life upon which students and visitors affix paper ‘leaves’ with their thoughts and pledges addressing climate change. Students Jillian Spero, Ally Karriker, Abby Rusling-Flynn, Kady Winsor, Alex Geisser created paintings and drawings to adorn the tree.
Pain Chronicles: Photomicrographs and Personal Stories
September 14–December 15, 2017
This unique exhibition features dramatic color images of cells of the nervous system, from fruit flies and mammals, which together illustrate the diverse nature of neurons involved in the development of chronic pain. These images, taken by UNE neuroscience investigators (students, staff, and faculty) using cutting edge microscopy demonstrate the simple and elegant beauty of cells that cause pain.
The exhibition also features self-narratives captured on film, and portraits of individuals with chronic pain. Together, these mediums provide unique insight into the lives and challenges faced by chronic pain patients.
Chronic pain is pain that outlasts an injury. It can occur without any clear cause, serves no useful purpose, and can be completely incapacitating. The simplicity and complexity of pain is explored through images of pain sensing neurons and through self-narratives and portraits of individuals with chronic pain. These stories, compiled by UNE students and staff, illustrates the complex and unique presentation of chronic pain, which is one reason why chronic pain is difficult to treat.
Through research, education, and community outreach, UNE’s Center for Excellence in the Neurosciences aims to inspire creativity and collaboration among people who have a passion for understanding the complexities of the nervous system, and to use our knowledge to improve human health and quality of life.
April 18–August 1, 2017
An exhibition of plein air paintings by Charles Matthew Thompson, UNE Professor of Art and founder of the UNE Department of Fine Arts, will be on view in the UNE Art Gallery, Ketchum Library, Biddeford Campus, from April 18, 2017 through August 1, 2017.
While visiting the Dyer Library in Saco, Maine, Thompson came upon a book from the turn of the 20th century, filled with black and white photographs of the Saco and Biddeford area. Fascinated by the changes that had occurred in the landscape of our community, he realized that many of these photographs were taken at locations he had visited and painted over the years and was struck by the changes that had occurred to many of these landscapes through the activity of development. The seed was planted for this visual project documenting the landscape of Saco and Biddeford as it once was and what it has now become.
Thompson selected seven locations with corresponding photographs to create a body of work completed over many months, often returning to a location numerous times to capture a light or weather condition similar to that in the original photograph. Unfortunately, the original landscapes have been largely lost to the insatiable human demand for possession and development. Time and progress stand still for no one. Now there is an historical record of the original locations and an artistic rendering of the locations as they now appear."
NATIVE VOICES: Native Peoples' Concepts of Health and Illness and KIKEHTAHSUWIW — “It Heals”
March 6–April 12, 2017
A new traveling exhibition, Native Voices: Native Peoples’ Concepts of Health and Illness, examining concepts of health and medicine among contemporary American Indian, Alaska Native, and Native Hawaiian people, is showing now through April 12, 2017 in the UNE Art Gallery in the Ketchum Library on the UNE Biddeford Campus. This exhibition, produced by the National Library of Medicine, explores the connection between wellness, illness, and cultural life through a combination of interviews with Native people, artwork, objects and interactive media. The exhibition will be open to the public the Ketchum Library from 8 a.m. to 8 p.m. A free, public event presenting current views on treatment of Native and diverse populations will be held in the Ketchum Library art gallery on April 6 at 5:30 p.m. More information to come for that event.
Showing simultaneously in the Ketchum Library gallery is another traveling exhibition, Kikehtahsuwiw — “It Heals.” Created by George Neptune, museum educator at the Abbe Museum in Bar Harbor, Maine, with photos by Thom Willey, It Heals is a story about several women of the Passamaquoddy Tribe who share a common goal — healing Native communities. This exhibit goes to the heart of health issues in Native communities and examines issues of culture, treatment and healing.
The University of New England sits within reach of many Native tribes in Maine and Canada. The University maintains an endowed program on Native issues called the Donna M. Loring Lecture. This year’s program will also take place on April 6 in the Ketchum Library gallery and be a reading of Donna Loring's play "Mary and Molly," which explores issues of Native identity, Native history and the importance of keeping cultural traditions alive. Please call 221-4324 or email email@example.com for start time and other information.
The National Library of Medicine has a history of working with Native communities as part of the Library’s commitment to make health information resources accessible to people no matter where they live or work. The Native Voices exhibition concept grew out of meetings with Native leaders in Alaska, Hawai`i and the Lower 48. “We hope that visitors in communities across the country will learn from the ideas, practices, and traditions shared here,” says Betsy L. Humphreys, acting director of the National Library of Medicine.
“This exhibition honors the Native tradition of oral history and establishes a unique collection of information,” says Donald A.B. Lindberg, MD, director emeritus of the National Library of Medicine. “We hope visitors will find Native Voices both educational and inspirational, and we hope Native people will view it with pride.”
“ZERO ~los desplazados de Colombia, photography in black and white”
By Photographer Robert Pennington
January 26, 2017 – March 1, 2017
The University of New England’s Biddeford Campus Ketchum Library Art Gallery is pleased to announce a new exhibition, ZERO ~ los desplazados de Colombia, photography in black and white by Robert Pennington, running from January 26 through March 1, 2017.
ZERO is an intimate study that examines the lives of Colombia’s desplazados (displaced). It is a story about people; those who are disenfranchised and often invisible.
Latin America’s oldest democracy is home to the world’s longest-running civil war. And, after more than 52 years of conflict, currently has 6.9 million internally displaced persons — more than any other country on the planet. Equally disturbing is that no one knows! ZERO gives face and voice to los desplazados de Colombia. It is an exploration of life after displacement, a story about courage, resilience and the willingness to begin anew.
The title, ZERO, surfaced while researching Colombia's history with social stratification (16c.) and its current system of estratos (strata), which ranks people from six (highest) to one (lowest). The system was introduced in the 1980’s as a way to identify and provide essential services at affordable rates to the poor. A system once designed to help poor communities has instead marginalized an entire class of Colombians. On one of my first trips to the barrio of Altos de la Florida in Soacha, I met un desplazado who said to me, “I am strato ZERO!”
A Gateless Garden: Quotes by Maine Women Writers
By Photographer Kerry Michaels, Editor Dr. Liza Blakewell
August 24, 2016 - December 16, 2016
The Biddeford Campus UNE Art Gallery will present an exhibition titled "A Gateless Garden: Quotes by Maine Women Writers" from August 24 - December 16, 2016.
The exhibition features 53 quotations by Maine women writers, edited by Liza Bakewell, Ph.D., director of Maine Women Write, paired with black and white images by Maine photographer Kerry Michaels.
Maine has been home to great women authors — erudite, wise and passionate — whose writing has changed the world. Maine women, armed with pen and paper, have influenced the outcome of the Civil War, mobilized women’s political and domestic rights and powered the creation of the U.S. Environmental Protection Agency. They have upset the status quo again and again. Many of them — not only the well-known — have made this world a better place.
The exhibition is based on the book A Gateless Garden: Quotes by Maine Women Writers by Bakewell and Michaels, which contains 100 quotations and 100 photographs. Fifty-three of the 100 pairs will be on display as well as the book of which they are a part. The interplay of the words and photographs presented creates a synergy that celebrates the essence of place, women’s lives and the singular world that is Maine.
All of the women writers featured have connections to Maine. Most have lived in the state for many years — some for their entire lives — and have produced in Maine the works that are quoted in the exhibition. Writers whose quotations are featured include Harriet Beecher Stowe, Louise Bogan, Edna St. Vincent Millay and Rachel Carson.
Anatomy Dissection: The quest for knowledge and beauty
An exhibit of photographs by Dr. Frank Willard, Ph.D.
Curated by Oran Suta
April 12, 2016-August 16, 2016
Cadaveric dissection has long been a rite of passage for physicians. There is no book that can impart the lessons that this experience can, challenging the intellect, hand-skill and integrity of the initiate. The donor’s gift challenges the assured authority of textbooks, demonstrating innumerable variations of individuals and adaptations to life’s experiences. The body makes real a bewilderingly complex collection of mechanical systems, and gives an experience that fosters reflection on life, death, altruism and bravery.
You are cordially invited to look behind the curtain of this solemn practice, at a sampling of the work done by Dr. Frank Willard, faculty at the University of New England College of Medicine, who has documented his efforts with photography for more than twenty-five years. His dedication to the discipline has made him an authority on Neuroanatomy, spinal mechanics and the role of connective tissue within the skeletal muscular system. Dr. Willard teaches classes all over the world and authors scholarly papers, while being the guiding hand of UNE’s anatomy donor lab curriculum.
“FIZIKS: Freakin' Impossible Zonking In Kinetic Studies”
By Maine artist Kim Bernard
January 16, 2016 - April 4, 2016
FIZIKS is the result of Bernard's research, experimentation and collaboration with the physicists at Harvard University where she is the artist in residence. This solo exhibit includes polyhedron pattern paintings, an interactive grid and cube of oscillating balls that invite the viewer to engage their motion and crocheted hyperbolic planes made out of recycled bicycle inner tubes. The exhibit coincides with the unveiling of Wave Phenomena, a permanent installation of sound wave vibrations made visible as floating blue fabric discs suspended overhead. Bernard says, "It’s fascinating that there are predictable patterns in matter and motion. I’m interested in creating work that demonstrates this phenomena simply, with an aesthetic that allows the viewer easy access, and provides a tangible way of seeing physics."
Ant Farm: at the Nexus of Art and Science: merging art and science through the visual exploration of leafcutter ants
A Collaborative Exhibition by Dorothy Schwartz, Rebecca Goodale, Vivian Russe and Colleen Kinsella
August 17, 2015-December 18, 2015
A collaboration of four printmakers, known as the Ant Girls, created this exhibit in a eusocial way to imitate the social structure of leaf cutting ants. The Ant Girls are four Maine-based artists working collaboratively to merge art and science through the visual exploration of leafcutter ants. Leafcutter ants live in tropical areas, including the United States, and are notable for cutting and gathering leaves that they use as nutritional substrates on which they grow their own food — a fungus. The ant girls show this alongside mating and communication practices among leafcutters. The show includes examples of handmade books. Sculptures, prints, drawings, scrolls, books, installations, signage, paintings, puppetry and origami are all part of the exhibition.
Focusing on Home and Beyond: The Photographs of Chansonetta Stanley Emmons, 1897‐1937
April 30 - August 19, 2015
Throughout the late-nineteenth and early twentieth centuries, Chansonetta Stanley Emmons (1858-1937) returned home to Kingfield, Maine, each summer to document the family homestead, rural life, traditional labor practices and the many pleasures of summer. Trained in drawing, painting, and as an art educator, Emmons gravitated toward photography when her twin brothers, F.E. and F.O. Stanley, the noted inventors of the Stanley Steamer, were working on perfecting the photographic dry plate process in the mid-1880s.
This exhibition, guest-curated by Libby Bischof, Ph.D., features a variety of Emmons’ photographs of New England as well as images she made in the Carolinas and Europe. Photographs courtesy of UNE’s Maine Women Writers Collection and the Stanley Museum in Kingfield, Maine. On view through August 19, open daily 9 a.m.-5 p.m.
Write Again Soon: Letters from World War II
December 4, 2014 - April 15, 2015
An exhibit created by UNE undergraduate history students opened at the Biddeford Campus' Jack S. Ketchum Library on December 4, 2014. The exhibit features images and letters from World War II, with interpretive text researched and written by students. It encompasses three different themes: The Homefront; Frontlines; and Romance and relationships in WWII. Students researched primary source material from the Randall J. Cushing Collection, a collection of original letters housed in the UNE Jack S. Ketchum Library. The Cushing Collection houses more than 2,000 letters from both World Wars, written by a variety of people including flight nurses, fathers, mechanics, mothers, students, Mainers, priests and salesmen. These documents were gathered by Randall J. Cushing, a University of New Hampshire alumni and local contractor, whose hobby was collecting rare books and war memorabilia. The Cushing family gave his collection to UNE after his passing.
The Maine Artist’s Animals: Bernard Langlais at UNE
September 15 - December 2, 2014
The Maine Artist’s Animals gathered paintings, drawings and sculptures that together highlight a powerful concern in his work: how to explore the aesthetics of form through animal representation. Whether in paint, pencil or pen as well as with paper, formica, wood and nails, the artworks chosen here from the Kohler Foundation’s 2014 gift to UNE’s permanent collection combine simple materials to considerable effect. Sometimes folksy, sometimes cartoonish, but always carefully designed to show recognizable animals, these artworks also often call attention to their own constructedness. An early pioneer of a trend among artists that has only intensified in recent decades, Langlais goes beyond the mere intention to observe animals with his art. His purpose, instead, seems to be to provoke our thinking about them.
Bernard Langlais’ ambition was simple: he wanted to be the artist who represented Maine. A native Mainer, born the son of a carpenter in Old Town in 1921, he served in the navy during World War II, after which he returned to study art at the Skowhegan School of Painting and Sculpture, among other places. Although his art training led him to spend many years in New York, Washington, and Paris, the man known to friends all his life as Blackie came back to settle for good in Cushing, Maine.